Bonjour, Monsieur Chen Zhong-cun
日安!陳中村先生
3D print, lamp, motor; 208x199x35 cm (lamp and motor 115x40x40cm)
2018
Digital imagery doubled with reconstruction and reproduction technologies generated an upside-down village floating in the air, appearing like the landscape of a parallel world or a village in the clouds. Images call for the memories they imply: the idea is almost utopian; we are left to deduce and assume its illusory existence. Likewise, digital technologies displayed a distorted and fractured village where its relationship with life is divided and broken, where time stopped flowing. The work discusses how advanced technologies can recreate and preserve the inorganic life that changes every day.
3D列印,動力燈光裝置;208x199x35 cm (馬達/燈115x40x40cm)
2018年
數位影像的再製與重現,建構了一個顛倒的眷村懸浮在空中,像極了一個平行世界的地景或雲端世界。影像保存了記憶,外的空想幾近與演繹並假設他的虛幻的存有。如同數位運算科技,呈現了扭曲,斷裂的村落,生活與他的關係是斷裂,拆分的,時間也停止流動。先進科技如何能重製保存這每天都在變化的「無幾生命體」。
Margot Guillemot & Chiehsen Chiu