Margot Guillemot holds a MFA degree from the Beaux-arts of Montpellier in France. She dedicates herself to exploring the art-ness of contemporary digital technology, through which she reflects on the idea of “reality”.

By examining the fluidity of time, she uncovers the nature and condition of human life; it is the irrefutable time, the deepest layer of self, or a blurring of the “self” and “subject,” collectively formed into an argument on “being.” From the paradoxical relationship between perception and cognition, reality and virtual, space and time, Margot questions the idea of “reality” – is “reality” necessarily “real?”

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莫珊嵐，生於科克 （愛爾蘭），定居於桃園。2016年畢業於法國蒙彼利埃高等美術學院。莫珊嵐的作品經常質疑數位圖像領域裡的「在場」和「再現」的概念，討論在當代生活裡對「看」跟「去」的定義。從感知與認知、現實與虛擬、空間與時間中相互矛盾關係，建構在質疑「現實」的種種假設與 問題。「現實」是否即是「真實」? 她主要的對象是城市的景觀， 通過角度的觀察與表現出現在她眼前都市生活。通過她設計的方法和規則，她試圖盤點地方，挑戰熟悉與陌生之間的張力。她對地方的表現將其思考方式與居住方式相提並論。