top of page

Margot Guillemot 莫珊嵐

  • Facebook
  • Instagram
Co-Mapping

眾製輿圖

Mixed Media

Field Survey

Site-specific

《眾製輿圖》*

畫圖、描繪地圖、書寫記憶、刻畫回憶,

經驗與知識在不斷的重組與再生產中被延續。

干擾、重組、建構,

召喚集體記憶,解碼空間經驗。

切片、定位、路徑與標誌,

空間記憶、文化符號與日常經驗,交織出一套地圖的譜系。

以「人」為核心,

以事物與經驗作為新地誌的書寫方法,

反抗權力的敘事與標準化製圖,

回到人、事、物之間的拓樸行為,

重構一幅幅蒙太奇式的地圖,

一幅幅屬於「真實」的地圖。

*《眾製輿圖》2016年起於法國蒙彼利埃發起,曾發表於桃園市立美術館、众藝術、韓國釜山、林口國家檔案館等地。

複合媒材

田野踏查

依場地而定

Co-Mapping*

Interference, reassembly, and construction —

Summoning collective memory, decoding spatial experience.

Slices, positioning, routes, and symbols,

Spatial memory, cultural signs, and everyday experience weave together a genealogy of maps.

Centering on the human,

With objects and lived experience as tools for writing a new geography,

Resisting the dominant discourses of power and standardized cartography,

Returning to the topological actions between people, events, and things,

Reconstructing a series of montage-like maps —

Maps that are, in their own way, "real."

Co-Mapping was initiated in Montpellier, France, in 2016, and has been presented at the Taoyuan Museum of Fine Arts, Zone Art, Busan, South Korea, and the National Archives in Linkou, Taiwan, among other venues.

Chiehsen Chiu

bottom of page